Thursday, December 12, 2019

Master Your Audio Thru Vintage Audio Gear











About:

ALSO CHECK MY OTHER GIGS!


I will master/run your audio thru vintage 1930-1990 studio audio gear.



You are looking for vintage tone for your mix, or multiple tracks to get that extra texture and tone? Or not looking for vintage tone, but for a analog warm? You got it!



You don't know what equipment to use to achieve that sound you have in your head? Don't worry! I will help you get to that sound!



vintage Tape recorder, vintage consoles, vintage preamps, vintage compressors, vintage EQ, vintage microphones (more than 350 mic), vintage guitar and bass amps, Leslie 122 etc...



Tape recorders

Ampex 600 (tube) (1954)

Ampex 351 (tube) (1958)

Ampex 440 (4 track) (1970)

Studer A-80 (8 track)

Nagra III

Nagra E

Nagra IV

and more...



Preamps

Gates (tube)

Wardbeck 460

Wardbeck little green giant console (first Wardbeck console ever)

McCurdy AU 300 (tube)

McCury AT-242

and more...



EQ

McCurdy 151-1

McCurdy 155

Studer 963 EQ

Orban parametric



Compressor

UREI 1178 (1176 original stereo version)

Altec 436C

Studer 963 comp

Orban optimod AM (multiband)

Audimax CBS 4440

Sure level loc

and more...



Reviews


:

Exactly what I wanted, thanks!

:

Effective and punctual if you need to make a record sound analog.

:

As we have just said one to another: we are getting to know each other better, our musical tastes, because it's ou 4th mster! I don't wish any sellers a client like m:)), but I wish all buyers such a patient and understanding mastering engineer!! After the first song we did together all th musicians who worked on it praised the master!

:

This was again a new experience, an experiment even: the song is 50s-60s swing. So the first idea was to use old tap recorders from the 50s which Simon has. But it turned out that they sound too antiqwuary for today taste. So in the second step Simon kept the vintage vibe, but (upon my request) cleaned the old "vices", and now it souns both vintge, and yet nice for contemporary ear. Nobody will think it was recorded in the 60s, but everyone will feel that it was modelled on it: this is called stylisation.

:

This was the master of an orchestral-cinematic piece, full of dynamics, changes of mood. I sent Simon also my own hypothetic-exemplary master as a guide. And he understood my concept, but between my early master and his final product there is a huge difference. It is wide, spatial, less flat, warmer, better balanced! Oh, tape has its charm, for sure!




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